Instead of a quick, distracted web, we want a slow, attentive one. Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. With its varied atmospheres, the house becomes a domestic haven of nature and art. A space serving as a guest bedroom and a library are suspended form the roof, leaving the walls untouched. In contrast, the double-height common room resembles a gallery while highlighting the verticality of the forest. A screen room prolonging the volume and overlooking the ferns blurs the line between inside and outside. Housing the master bedroom, bathrooms and the kitchen, it is completely open to the surrounding nature. Covered by a thin roof, it levitates among the trees. The private section stretches to border the nearby river. The layout is arranged in two areas, one private and the other common, along a central axis. As art collectors, he and his partner dreamed of a spacious house in which to live among their pieces. After the owner spent a few years abroad, it became clear to him that he should inhabit the parcel he had inherited. Literally meaning the “far end,” Les Abouts remained unoccupied for quite some time. His parents eventually left him a sizable land area that they could not cultivate. The residence’s name comes from the story of one of its two inhabitants, who grew up on the family-owned farm. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
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“I was the one that put the boundaries on that,” Verdal told CBC reporter Paul Kennedy in 2006, adding, “Somehow, I didn’t want to spoil that preciousness, that infinite respect that I had for him… I felt that a sexual encounter might demean it somehow.” The hunger two gifted and beautiful people have for one another illuminates the lyrics, giving them a spark that seems to resonate from the inside. Other details proffered within the song speak to a romantic longing that, seemingly, remained unfulfilled: “And you want to travel with her/and you want to travel blind… for you’ve touched her perfect body/with your mind.” Like the song’s character, Verdal did indeed feed Cohen “oranges that come all the way from China” together, the pair savored the dazzlingly beautiful view, offered by Verdal’s waterfront apartment, of the St. Since then it has been recorded by dozens of artists, becoming as much of a 1960s standard as “Respect” or “Yesterday”-a masterwork that defines one era and continues to inspire our own.Īs has been explained by a number of music scholars, “Suzanne” is Suzanne Verdal, the beautiful, free-spirited wife of an artist Cohen knew in Montreal during the early 1960s, a time when that city was an epicenter of bohemian culture in North America. It was given substantial revisions by the time of its first presentation as a song, by Judy Collins on her 1966 album, In My Life. According to writer Judith Skelton Grant, who published an article on Cohen in the journal Studies in Canadian Literature, “Suzanne” began life as a poem. His experimental novel, Beautiful Losers (which one critic described as “the most revolting book ever written in Canada”), was published in 1966 and soon gained a reputation as a benchmark of countercultural expression. Born to a Jewish family in Montreal in 1934, Cohen published his first book of poetry at the age of 22. Leonard Cohen was already well-known by the time of the song’s ascendance, but not as a performer. A look into “Suzannes”’s history reveals how, in the making of art, the real people who serve as inspiration, unfortunately, though perhaps inevitably, get left behind. Such is the case with “Suzanne,” the haunting composition that has become one of Canadian singer/songwriter Leonard Cohen’s best-known works. Once created, a great song can exist independently of its creators, taking on a life of its own as it rises to iconic status within the cultural landscape. The dog owners we met hope legislation is eventually passed, so other pet owners don’t have to experience what they did. We asked her for proof, but she didn’t provide it. She said yes, but we couldn’t verify that. The I-Team asked Diruscio if she was certified. Phifer hasn’t been successful in passing legislation yet. That people offering services to the public, just like other professions, should have demonstrated competence in some way and should be held accountable to a standard of practice and code of ethics,” said Phifer.Īnd when dog owners have a complaint against a certified trainer, Phifer says the trainer may be required to undergo more supervised training or could even lose their certification. “There’s a consumer safety component here that we feel strongly about. Phifer thinks certification should be an industry standard, and he’s working with other groups in the industry to push for state legislation to require it. “Right now anyone can read a book, train their own dog, take an online course, and they can identify as a dog trainer, set up shop, and offer services to the public,” said Phifer. To become certified, trainers must complete hundreds of hours of supervised training and pass a written exam. Instead, she repeatedly threatened to sue.īradley Phifer runs the Certification Council for Professional Dog Trainers, an organization that certifies dog trainers. But in text messages with the I-Team, she called these claims a “blatant lie.” She also said she has “proof of all dogs being trained and healthy.” We asked to see that proof, but she didn’t provide any. And this poor dog,” said dog owner John Sobanski.ĭiruscio declined an interview for this story. “You do feel like you totally got scammed. Stanger says she doesn’t believe Chewy received any service training.Īnd all of Diruscio’s clients say the basic training they paid $2,000 for didn’t seem to happen. TikTok ban could impact LA content creatorsĪccording to vet reports, Chewy lost 12 pounds in the two-and-a-half weeks he was with Diruscio. Magnolia Ice Cream & Treats offers many other flavors, as well as shave ice, halo halo, and more. 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